The filmmaker’s presence in French contemporary autofiction: from <i>filmeur/filmeuse</i> to <i>acteur/actrice</i>
نویسندگان
چکیده
Autofiction as realized in cinematic practice adds a figure of identification to the literary author-narrator-character: that actor/actress. The filmmaker, playing him/herself, employs innovative strategies audiovisual narration generate this autofictional identity. This article analyses these seen French cinema, on which autofiction has determining influence. My analysis is mapped along double axis. first classifies films progressive evolution from factualisation fictional (documentary’s starting point) fictionalisation factual (fiction’s point). second with regard filmmaker’s presence: filmeur/filmeuse who stands behind camera and records images him/herself acteur/actrice exclusively appears front camera. exploration self thus situates filmmaker all possible positions so develop for exploring postmodern identity alterity, using parody irony effective tools. In laboratory self, filmmakers experiment topics they address – reflection artistic exploration, self-knowledge, ideological reasoning, sociopolitical criticism well create valuable screen manifestations resilience, empathy, sorority, even pedagogy.
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ژورنال
عنوان ژورنال: New Review of Film and Television Studies
سال: 2021
ISSN: ['1740-7923', '1740-0309']
DOI: https://doi.org/10.1080/17400309.2021.2007713